Behind your tiny, lavender painted house
with its central staircase of stripped
wood leading up and over to a bedroom
I imagined, being slightly unkempt
but not at all disheveled. Living, as
you were, alone, what need is there
to make your bed? Why not leave the
sheets and lilac comforter to hanging
over the edge of the carved footboard,
which hasn’t been properly cleaned or
waxed in years and is striped with gouges
through the lacquer where you used to
set your father’s Army surplus footlocker
on it and rummage through for the
things that you hadn’t wanted anyone
else to find.
//
Behind your tiny, lavender house,
is an unconstrained field and then a ditch, then a
highway and a trainyard.
//
Behind your tiny, lavender house
is an unconstrained field that looks
like it might be littered with rusted
nails and broken bottle shards still
attached to the sliver of label,
“Mickey’s” or “Old Style,” green
or brown glass, depending. The
tiny, lavender painted house with
it’s central staircase of stripped
wood, leading, I imagined, to your
unkempt but not disheveled bed.
What need was there, living alone,
as you were, to make the bed? Why
not leave the lilac sheets hanging
over the edge of the carved footboard,
which hasn’t been properly cleaned
or oiled in years. I left the request
tucked neatly in the black iron
box next to the glass-paneled door,
lace stretched behind it, all six feet.
And now, years later, I imagine your
bright curly hair, and google you,
hoping to find, as I begin to write
this poem, an idea of where you have
gone. If, perhaps, your career
has gone so startlingly poorly as
mine. Still, though, the field. Its
expanse, from your back door,
unfenced, it ran two hundred,
no, four hundred, yards in a town
where ten feet between the back wall
of one’s enclosed garden and the
next could be considered enough. It
bounded away, a plain of wild
grass in a town that struggled to
maintain the grass it closely cultivated.
And now, years later, I imagine your
bushel of bright curly hair, and google
you, hoping to find if your career, perhaps,
has gone as startlingly poorly as mine.
And now, years later, I imagine your
bushel of bright curly hair and, sitting
down to write this poem, google you
to find out where you might be, now.
But I still imagine you looking out
the back bedroom window over that
field. Bounding back two, no four,
hundred yards in a town where ten,
twenty feet’s separation is enough., it
stretched so far and then a ditch and
then a highway and then a train depot
and I still imagine you looking over
this all from that upstairs bedroom,
preparing to write, preparing to bring
something unseen into the world.
//
Behind your tiny, lavender house
is an unconstrained field that looks
like it might be littered with rusted
nails and broken bottle shards still
attached to the sliver of label,
“Mickey’s” or “Old Style,” green
or brown glass, depending. The
tiny, lavender painted house with
it’s central staircase of stripped
wood, leading, I imagined, to your
unkempt but not disheveled bed.
What need was there, living alone,
as you were, to make the bed? Why
not leave the lilac sheets hanging
over the edge of the carved footboard,
which hasn’t been properly cleaned
or oiled in years. I left the request
tucked neatly in the black iron
box next to the glass-paneled door,
lace stretched behind it, all six feet.
And now, years later, I imagine your
bushel of bright curly hair and, sitting
down to write this poem, google you
to find out where you might be, now.
But I still imagine you looking out
the back bedroom window over that
field. Bounding back two, no four,
hundred yards in a town where ten,
twenty feet’s separation is enough., it
stretched so far and then a ditch and
then a highway and then a train depot
and I still imagine you looking over
this all from that upstairs bedroom,
preparing to write, preparing to bring
something unseen into the world.
--RFRY, 06 Aug 06
These are the attempts that would become Near Fourth and Fourth.
Comments (0)
You don't have permission to comment on this page.